ALL YOU NEED, for bass voice and electronics. Three movements, each based on the phrase “all you need is love,” with one movement in English, one in German and one in Spanish. The electronics consist of the composer’s voice, recorded and digitally manipulated. First and last movements are energetic and rhythmically propelled while second sounds somewhat like Tibetan chanting. Finale.

ANTARCTICA, a symphony for orchestra.  In three movements for full orchestra. The Adagio is an elegy for the composer’s father. Finale.

AROUND THE CLOCK, for alto saxophone and tape or piano. A very rhythmic, energetic work in three movements with a lyrical second movement. Finale.

AROUND THE CLOCK, version for horn in F and tape or piano. Finale.

AROUND THE CLOCK, version for alto saxophone and wind ensemble. Manuscript.

AROUND THE CLOCK, version for Horn in F and orchestra. Finale. Click here to listen to the third movement, Allegro con brio.

ARRIVAL ON EARTH, for wind ensemble. Composed on commission from the NBA student chapters. This work will serve as the prelude to a proposed opera based on THE DAY THE EARTH STOOD STILL. Finale.

ASTRAL PROJECTIONS, for mezzo soprano, bass voice, horn in F, percussion and synthesizer, with electronic interludes and video projections.
Each section alludes to a different constellation. This work was premiered in Hardin Planetarium. Manuscript. Click to listen to "Arcturus."

AYK, for solo piano. Based on a 12-tone row. Manuscript.

AS THE WORLD TURNS, for percussion ensemble.  There are six, modular movements that can be played in any order. Manuscript.

BARREN RIVER, for woodwind quintet. In three movements. Manuscript. Composed for the Barren River Quintet.

BELLS AND PIPES, for oboe, horn in F and piano. In one movement. Composed for the Trio Arundel. Finale.

BREAKING AWAY, for horn in F and mixed percussion. In one movement. Composed for Chris and Leslie Norton (Professor of Percussion at Belmont University and the First Horn for the Nashville Symphony). Finale. Click here to listen.

BRIGHT NAMES, BURNING LIGHTS, for flute and piano. In three movements. A CD recording of the work is available on Centaur Recordings (The Flute Chamber Music of Michael Kallstrom). Finale. Click to listen to the opening of movement one.

BROTHERS IN ARMS, for horn in F and electronic tape. Two movements, slow-fast, with an electronic part featuring synthesized sounds and the composer’s voice. Commissioned by Paul Basler, Professor of Horn at the University of Florida. Finale.

BURST INTO SONG, for children’s choir, SATB choir, brass quintet and organ. In one movement. Commissioned by the Church in Gainesville, Florida. Finale.

CHANSONS POPULAIRES, for low voice (Baritone, Mezzo) and piano. Finale. Click to listen to "Let The World Go On,"     "We Know It's True,"
         "The Feeling Lonely."
   
CHORAL MASS, for SATB choir. An acapella setting in English. Manuscript.

CLANDESTINE NUMERALS, for clarinet and piano. In three Movements. Manuscript.

CLOUDY, for eight horns in F. A slow, lyrical movement based on a section of the composer’s opera, SUNDAY PAGES. Finale.

COLLOCATION, for orchestra. In one movement. Manuscript.

CORRIDORS, three movements for electronic tape. Click to listen to "Into the Light."

CRAZY RHYTHM, for horn quartet. Four movements commissioned by the Quadre Quartet. Finale.

CRIMSON, for clarinet, horn and piano. In three movements featuring a very beautiful, slow second movement. Manuscript. Click to listen to movt. two.

CRISIS, for trombone quartet and timpani. In one movement. Manuscript.

CRYSTALLOMANCY, for bass voice, video projection, and electronic tape. Manuscript.

CYLINDRICAL SYMPHONY, for flute choir. Manuscript.

DANCE, for violin, ‘cello and piano.

DAY GOES ON FOREVER (THE), a song cycle of high voice and piano.

DEATH OF MOSES (THE), for baritone voice, flute, oboe and piano.

DEATHS AND RESURRECTIONS, five pieces for SATB choir and piano on English and French texts from the
early 1900's. Finale. Click to listen to "We sing the love of danger."

DECLARATIONS, for mezzo soprano, bass voice, flute, clarinet, bassoon,
trumpet, piano and percussion. Manuscript. Click to listen to the opening sections.

DIALECTIC, for woodwind quintet.

DREAMS, for oboe, bassoon and piano.

DREAMS AND THE SHORE, for bass voice, flute and percussion. Click to listen to the opening.

DUET No.1, for two ‘cellos.

EASTERN BRILLIANCE, for horn and electronics or piano. Finale. Click to listen to the piano version.

ECHOES, for SSA choir.

FLUCTUATIONS, for flute choir. Manuscript. Click to listen.

FORWARD DRIVE, an electronic score for modern dance. Click to listen.

FOUNTAIN, for bass voice, clarinet and piano. Manuscript. Click to listen to "The Water Jumps."

FRANKENSTEIN, a ballet in two acts. Electronic score. Finale. Click to listen to "Folk Dance" from Act Two.

GIOVANNI’S FANTASY, for trombone and electronics or piano.

GREAT DAY COMING, for trombone and percussion.

GREAT DAY COMING, version for trombone and piano.

HEADBANGER, for horn quartet.

GHOSTS!!, a music theater work for bass voice, electronics, puppets and masks.

HOLLOW MEN (THE), a song cycle for tenor and piano.

HURRICANE FORCE, for solo clarinet/alto saxophone and concert band.

HYMN, for SATB choir and electronic CD on a text in Latin. Manuscript. Click to listen.

I AM WITH YOU ALWAYS, an Easter cantata for bass voice, SATB choir and piano.

IT HAD TO BE, for flute, oboe, clarinet and piano. Click to listen to the opening of the last movement.

HEAVY METAL, for brass quintet.

INNER FLAME, for solo bass clarinet.

INNER FLAME, version for solo alto saxophone.

INTO THE DEEP, a music theater work for bass voice, electronics
and video projections.

JAMMIN, for 16 horns in F.

JEEPERS, for horn quartet and wind ensemble. Finale. Click here to listen.

JEEPERS, version for horn quartet and string orchestra.

KEEP THE FAITH, for solo piano. In three movements. Finale. Click to listen to movement three.

LET’S PLAY, for violin, clarinet and piano. Finale. Click to listen.

LIFE IS DREAMING, three improvisatory movements for voice, woodwinds and electronic tape. Finale. Click to listen to "Sing Her Name."

LIFT YOUR HAND, for violoncello and piano.

LION”S TALE (A), for spoken voice, baritone and piano.

MAGIC FLIGHT, for alto and soprano saxophone, ‘cello and piano. Finale. Movt. 1 - listen.

MISSA BREVIS, for bass voice and electronics. Manuscript. Click to listen.

MIXED COMPANY, for flute, clarinet, synthesizer and piano.

MOON’S MORNING, for trumpet and piano. In three movements. Finale. Click to listen to Movt. 3.

MOUNTAINS, RIVERS, CAVERNS, for bass voice, SATB choir and orchestra. In three movments with texts
by the composer. Manuscript. Click to listen to "Bells of White."

NASCENCE, for oboe, ‘cello and piano.

NEXUS, for orchestra.

NOCTURNE-A NIGHT ON THE STREET, for violin, clarinet, piano and percussion
with audience participation.

NOISY DREAMING, for flute, clarinet, horn and bassoon.

OBVERSE/INVERSE, for solo piano. Manuscript. Click to listen.

ONE SONG FAR AWAY, for soprano and orchestra. Click to listen to the opening.

OPERATIC DUET, for alto saxophone, horn and piano.

OZYMANDIAS, for baritone, oboe, flute and electronic tape (using the composer's voice). In one movement. Finale. Click to listen.

PARABOLIC FANTASY, for alto saxophone and piano.

PARABOLIC FANTASY, version for viola and piano.

PAUN I KOLO, for chamber orchestra.

PIANO STUDIES I-V, for solo piano.

PIERS AND BRIDGES, for double SATB choir.

PRESSURE POINTS, for solo percussionist and wind ensemble.

PREY and WOMEN, two songs for baritone voice and piano.

RAIN, three songs for baritone voice and vibraphone. Manuscript. Click to listen.
  
RAIN GARDENS, for flute, clarinet, bassoon and piano.

RAPID CLEARING, for chamber orchestra.

RED ROCK, for symphonic band. Finale. Click here to listen.

RHYTHM GARDEN, a suite for alto saxophone and piano. Finale. Click to listen.

RIP TIDE, for piano and mixed percussion.

ROCK EPISCOPAL SERVICE, for unison voices and piano with optional rock band.

ROUGH AND READY, for bassoon quartet.

SACCO AND VANZETTI, a song cycle for baritone voice and piano. Manuscript. Click to listen.

SCENES, three songs for mezzo soprano and marimba.

SCHOOL’S OUT, a one-act opera for children’s voices, piano and electronics.

SECOND VISION, for solo flute.

SHADOWDROPS-SHADOWFIRE, for organ.

SINGING MY SONG, for violin, bassoon and piano. In three movements. Finale. Click to listen.

SHINING MOMENT, for solo horn in F.

SOLO NECESITAS EL AMOR, three movements for violin, ‘cello and piano. Finale. Click to listen Movement I.

SONNETT-SILENCE, for TTBB choir.

SOULS AND SOUNDS, for bass voice, flute and piano.Click to listen to the opening of the fifth movement and the sixth movement.

SOULS MADE OF MUSIC, for bass voice and horn quartet.

SOUP, AND OTHER JOKES, for baritone voice and piano.

STAINED LIGHT, a music theater work for bass voice, electronics,
video projections, and puppets.

STANZAS, for concert band.

STARFLAME, for horn quartet.

STORIES, a music theater work for bass voice, electronics, and puppets.

SUNDAY PAGES, an opera in two acts for voices and chamber ensemble
with a libretto by the composer. Click to listen to "Mrs. C. Butts of Hog Calling Creek."

SUMMER SONGS, for baritone voice and guitar.

SUNFIELDS, for string quartet.

SUNSPOTS, for harpsichord.

TAKE IT, for percussion ensemble. Click here to listen.

TELL ME YOUR NAME, a music theater work for bass voice, electronics,
video projections and shadow puppets. Click to listen to "Raven."

THE WIND AND THE WAVES, for clarinet quartet. Click here to listen.

THREE MOODS, for chamber orchestra.

THREE WISHES, for clarinet and piano.

TIMBER MOON, four pieces for SATB choir.

TIME CONVERGING, for alto saxophone, tenor saxophone and piano.

TOWERS AND SPIRES, for orchestra.

TROPISM, for violin, ‘cello and piano.

TROUBLED SLEEP, for baritone voice and chamber orchestra.

TRUMPET NINES, for solo trumpet.

UPWARD BELLS, for tuba and piano.

VENI EMMANUEL, for percussion and organ.

VENITE, for SATB choir, clarinet, bassoon and percussion. Text in English. Manuscript. Click here to listen.

VOICES, for flute, clarinet and bassoon.

WEEP, O MINE EYES, a song for baritone voice and piano.

WEIRD TERRAIN, for orchestra.

WHEN THE FUTURE HAS PASSED, for oboe, clarinet, bassoon and piano.

WHITE WATER, for brass quintet.

WIND, WATER, FLAME, for baritone voice, electronics and piano.

129.    WITCHCRAFT BY A PICTURE, a song cycle for baritone voice and piano.

WITH WINGS AS EAGLES, four movements for alto saxophone, ‘cello and piano.  Movt 1 - listen.

YOU MIGHT LIKE TO HEAR MY ORGAN, for organ.

ZING!, for double bass and piano.

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